{"id":4448,"date":"2023-09-26T21:44:37","date_gmt":"2023-09-26T19:44:37","guid":{"rendered":"https:\/\/www.fondazionearnaldopomodoro.it\/?p=4448"},"modified":"2023-10-17T10:49:21","modified_gmt":"2023-10-17T08:49:21","slug":"giuseppe-maraniello-pescatore-1994","status":"publish","type":"post","link":"https:\/\/www.fondazionearnaldopomodoro.it\/en\/giuseppe-maraniello-pescatore-1994\/","title":{"rendered":"Maraniello Giuseppe, <em>Pescatore<\/em> (1994)"},"content":{"rendered":"<div id=\"fws_69ea2ce0b0304\"  data-column-margin=\"default\" data-midnight=\"dark\"  class=\"wpb_row vc_row-fluid vc_row full-width-content vc_row-o-equal-height vc_row-flex vc_row-o-content-top  right_padding_10pct left_padding_10pct\"  style=\"padding-top: 0px; padding-bottom: 0px; \"><div class=\"row-bg-wrap\" data-bg-animation=\"none\" data-bg-animation-delay=\"\" data-bg-overlay=\"false\"><div class=\"inner-wrap row-bg-layer\" ><div class=\"row-bg viewport-desktop\"  style=\"\"><\/div><\/div><\/div><div class=\"row_col_wrap_12 col span_12 dark left\">\n\t<div  class=\"vc_col-sm-6 wpb_column column_container vc_column_container col has-animation padding-2-percent inherit_tablet inherit_phone\"  data-padding-pos=\"bottom\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"fade-in-from-bottom\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t<div class=\"img-with-aniamtion-wrap\" data-max-width=\"100%\" data-max-width-mobile=\"default\" data-shadow=\"none\" data-animation=\"none\" >\r\n      <div class=\"inner\">\r\n        <div class=\"hover-wrap\"> \r\n          <div class=\"hover-wrap-inner\">\r\n            <img loading=\"lazy\" decoding=\"async\" class=\"img-with-animation skip-lazy\" data-delay=\"0\" height=\"1030\" width=\"689\" data-animation=\"none\" src=\"https:\/\/www.fondazionearnaldopomodoro.it\/wp-content\/uploads\/2023\/09\/Maraniello-Pescatore-1994-3-689x1030-1.jpg\" alt=\"Pescatore\" srcset=\"https:\/\/www.fondazionearnaldopomodoro.it\/wp-content\/uploads\/2023\/09\/Maraniello-Pescatore-1994-3-689x1030-1.jpg 689w, https:\/\/www.fondazionearnaldopomodoro.it\/wp-content\/uploads\/2023\/09\/Maraniello-Pescatore-1994-3-689x1030-1-201x300.jpg 201w, https:\/\/www.fondazionearnaldopomodoro.it\/wp-content\/uploads\/2023\/09\/Maraniello-Pescatore-1994-3-689x1030-1-685x1024.jpg 685w, https:\/\/www.fondazionearnaldopomodoro.it\/wp-content\/uploads\/2023\/09\/Maraniello-Pescatore-1994-3-689x1030-1-8x12.jpg 8w\" sizes=\"auto, (max-width: 689px) 100vw, 689px\" \/>\r\n          <\/div>\r\n        <\/div>\r\n      <\/div>\r\n    <\/div>\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t<div  class=\"vc_col-sm-6 wpb_column column_container vc_column_container col padding-1-percent inherit_tablet inherit_phone\"  data-padding-pos=\"left\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\r\n<div class=\"wpb_text_column wpb_content_element\" >\r\n\t<div class=\"wpb_wrapper\">\r\n\t\t<h4><strong>Giuseppe Maraniello<\/strong><em><strong><br \/>\n<\/strong>Pescatore<\/em>, 1994<\/h4>\n<p>bronze, steel wires, salt and sugar, 200 \u00d7 250 \u00d7 800 cm<\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\r\n<div class=\"wpb_text_column wpb_content_element\" >\r\n\t<div class=\"wpb_wrapper\">\r\n\t\t<p class=\"translation-block\">Maraniello's work has always been a sort of \"anti-sculpture\", given that his work transgresses many of the canons of this discipline. You can see it well in this <em>Pescatore<\/em> (Fisherman), but the observations can be valid for the entire corpus of his production, including painting. First of all, the relationship with space, always free to the point of boldness. In this case the work uses a wall from which to protrude, but it is not a bas-relief: and its overhang is so strong that steel cables are needed to anchor it to the surface. The \"fisherman\" is in fact themed by the long bronze rod whose top looks downwards. Another canon transgressed is that of uniqueness, the sculpture becomes a multiple body. Not only do the cables become an integral part of the work, but it ends with a sort of urn, suspended from the pole by small chains, which consequently hangs in the void towards the observer. Finally, the materials: if bronze constitutes the noble ancestry of sculpture, the artist does not hesitate to pair it with common materials such as salt and sugar, which react to the atmosphere, opposing their reactivity and poverty to the courtly fixity of traditional sculpture.<\/p>\n<p class=\"translation-block\">from: <a href=\"https:\/\/shop.fondazionearnaldopomodoro.it\/it\/libri-skira-editore\/22466-fondazione-arnaldo-pomodoro-la-collezione-permanente\" target=\"_self\"><em>Fondazione Arnaldo Pomodoro. La Collezione permanente<\/em><\/a>, exhibition catalogue, edited by G. Verzotti, A. Vettese, Milano, Skira, 2007, p. 176.<\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>","protected":false},"excerpt":{"rendered":"Giuseppe Maraniello Pescatore, 1994 bronzo, corde d\u2019acciaio, sale e zucchero, 200 \u00d7 250 \u00d7 800 cm Quella di Maraniello \u00e8 sempre stata una sorta di \u201cantiscultura\u201d, visto che la sua...","protected":false},"author":1,"featured_media":4450,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,20],"tags":[],"class_list":{"0":"post-4448","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-altri-artisti","8":"category-le-opere-della-collezione"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Giuseppe Maraniello Pescatore, 1994<\/title>\n<meta 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