{"id":4922,"date":"2023-09-29T12:23:33","date_gmt":"2023-09-29T10:23:33","guid":{"rendered":"https:\/\/www.fondazionearnaldopomodoro.it\/?p=4922"},"modified":"2023-11-08T17:42:00","modified_gmt":"2023-11-08T16:42:00","slug":"archivissima-2023-la-mostra-delle-mostre-darte-nel-mondo","status":"publish","type":"post","link":"https:\/\/www.fondazionearnaldopomodoro.it\/en\/archivissima-2023-la-mostra-delle-mostre-darte-nel-mondo\/","title":{"rendered":"ARCHIVISSIMA 2023 | La mostra delle mostre d’arte nel mondo"},"content":{"rendered":"
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Archivissima 2023<\/p>\n

La mostra delle mostre d’arte nel mondo
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June 9, 2023
\nLa Notte degli Archivi<\/p>\n<\/div>\n<\/section>\n<\/div>\n<\/section>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\r\n

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The Foundation has joined the Notte degli Archivi<\/strong> of Archivissima 2023<\/strong> making the text La mostra delle mostre d\u2019arte nel mondo<\/em><\/strong> available online, in the \u201cRacconti\u201d section of the Archivissima website<\/a>.<\/p>\n

This text<\/span><\/strong>, <\/span>published<\/span> without indication of author in the avant-garde magazine \u00abChe fare\u00bb (n. 6\/7, spring 1970, pp. 269-272)<\/span>, <\/span>is due <\/span><\/strong>to the collaboration between Francesco Leonetti and Arnaldo Pomodoro<\/strong> \u2013 founders and editors of \u00abChe fare\u00bb \u2013 in dialogue with <\/strong><\/span>Kynaston<\/span> McShine<\/span><\/strong>, the young art critic <\/span>indicated<\/span> as \u201cK\u201d in the text. <\/span>The story was \u201crediscovered\u201d <\/span>and attributed to the two authors <\/span>during the preparation of the exhibition <\/span>La negazione della forma. Arnaldo Pomodoro tra minimalismo e controcultura<\/span><\/em><\/a><\/strong>.<\/span><\/p>\n

The inspiration for the story<\/strong> is the research actually conducted by McShine in order to draw up \u00aba international report on recent activity of young artists\u00bb, of whom would have given account, in a few months, with the exhibition <\/span>Information<\/span><\/em> (MoMA, New York, 2 July \u2013 20 September 1970), one of the first and most important exhibition opportunities to bring the phenomenon into focus , then emerging, of conceptual art. Staging an account of travel ironic and playful, Leonetti and Pomodoro offer the reader their position, at times strongly critical, on the recent evolutions of the international artistic panorama. Lamenting the speed with which the \"geometric immensity\" of the minimalist phenomenon seemed to have been archived, the two authors contest the \"productivist spiral\" that increasingly afflicts the art world, linking it to the emptiness of experiences that reduce the art of avant-garde \u2013 once \u201clanguage of opposition to society, with a subversive or utopian intent\u201d \u2013 to a form of \u201cadvertising of the society that uses it\u201d.<\/p>\n

At the end of the 2023 edition, the story La mostra delle mostre d\u2019arte nel mondo<\/em> was included in the collection La polvere del mondo. Il carnet de voyage di Archivissima 2023 <\/em><\/a>.<\/strong><\/p>\n<\/div>\n<\/section>\n<\/div>\n<\/section>\n<\/div>\n<\/section>\n<\/div>\n<\/section>\n<\/div>\n<\/section>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\r\n\t\t

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