{"id":5130,"date":"2023-10-03T16:56:14","date_gmt":"2023-10-03T14:56:14","guid":{"rendered":"https:\/\/www.fondazionearnaldopomodoro.it\/?p=5130"},"modified":"2023-10-03T17:03:16","modified_gmt":"2023-10-03T15:03:16","slug":"project-room-9-roberto-pugliese-concerto-per-architettura","status":"publish","type":"post","link":"https:\/\/www.fondazionearnaldopomodoro.it\/en\/project-room-9-roberto-pugliese-concerto-per-architettura\/","title":{"rendered":"Project Room #8 | Roberto Pugliese. Concerto per Architettura"},"content":{"rendered":"
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Project Room #8<\/p>\n

Roberto Pugliese
\n<\/strong><\/em>Concerto per Architettura<\/strong><\/em><\/h4>\n

curated by Flavio Arensi
\nSeptember 19 - October 19, 2018
\nFondazione Arnaldo Pomodoro, Via Vigevano 9, Milano<\/p>\n<\/div>\n<\/section>\n<\/div>\n<\/section>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\r\n

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From September 19<\/strong>, the Foundation welcomes the solo exhibition of Roberto Pugliese<\/strong> (Naples, 1982), Concerto per Architettura<\/em>, the second appointment in the Project Room<\/em> 2018 series, curated by Flavio Arensi, who developed a three-act project, La stanza di Proust<\/em>, a pretext to observe the events of society and humanity through sounds, absences, and presences, of both past and future.<\/span><\/p>\n

After Donato Piccolo\u2019s solo exhibition, the second act of La stanza di Proust<\/em> features the Neapolitan artist Roberto Pugliese,<\/strong> who conceived Concerto per Architettura,<\/em> an audio composition created specifically for the Project Room<\/em> space. The architectural floor plans were used to reinterpret certain numerical values, which were then assigned to a series of genetic algorithms and complex functions. Thanks to an acoustic-mathematical relationship, these processes generated sound material that was subsequently reworked by Pugliese.<\/p>\n

The result is a sound sculpture that spreads throughout the Foundation\u2019s spaces, making the most of the architectural resonances to give the space its own \u201cvoice.\u201d This true Concerto per Architettura<\/em> will be performed by Roberto Pugliese on the evening of the opening<\/strong>, and then played throughout the duration of the exhibition. Accompanying the artist will be Pietro Lama<\/strong> (1988), a young sound designer and video artist, as well as a former student of Pugliese, who will create a custom projection in harmony with the music.<\/p>\n

This kind of musical interlude between the first and last act<\/em> \u2013 says Flavio Arensi \u2013 also marks the culmination of a research that makes sculpture a new linguistic system, where space and sound become intrinsic values of the artwork. The theme of sculpture, therefore, goes beyond the simple scheme of light-space-matter to enter a new semiotic method where the object is joined by sound. While with Piccolo the observer was called to engage with machine-sculptures that learned to manage themselves through interaction with humans, with Pugliese we come to confront the vibrational\/frequency nature of matter.<\/em> With a minimal and rigorous installation, Roberto Pugliese\u2019s work asks the visitor to participate with the space in the musical system; after all, the great Romanian conductor Sergiu Celibidache could not separate the listening of a musical piece from the human and experiential dynamics of the theater audience.<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<\/div>\n<\/section>\n<\/div>\n<\/section>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\r\n\t\t

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