{"id":5329,"date":"2023-10-04T17:42:04","date_gmt":"2023-10-04T15:42:04","guid":{"rendered":"https:\/\/www.fondazionearnaldopomodoro.it\/?p=5329"},"modified":"2023-10-04T17:42:04","modified_gmt":"2023-10-04T15:42:04","slug":"arnaldo-pomodoro-1955-65","status":"publish","type":"post","link":"https:\/\/www.fondazionearnaldopomodoro.it\/en\/arnaldo-pomodoro-1955-65\/","title":{"rendered":"Arnaldo Pomodoro. 1955-65"},"content":{"rendered":"
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Arnaldo Pomodoro
\n1955-65<\/strong><\/em><\/h4>\n

April 12 - June 13, 2019
\nTornabuoni Art, Passage de Retz, 9 rue Charlot, Parigi<\/p>\n<\/div>\n<\/section>\n<\/div>\n<\/section>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\r\n

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Tornabuoni Art Paris<\/strong> presents an exhibition, organized in close collaboration with the Arnaldo Pomodoro Foundation<\/strong>, which documents the origins of Arnaldo Pomodoro\u2019s work \u2013 the years 1955-1965, a fundamental period in the artist's production \u2013 featuring exclusive archival materials<\/strong> and works never exhibited before<\/strong>.<\/p>\n

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In the exhibition, for the first time together, will be displayed some of the most representative works from the 1955-1960 period<\/strong>: these are the bas-reliefs in silver, lead, and bronze, composed with a dense series of light and rhythmic marks, a trace of knots, points, and threads, like a sort of archaic and illegible writing. I worked on velvet backgrounds<\/em> \u2013 says Pomodoro \u2013 which I would fade with bleach, with acid tricks, with iron powder, mixing it and gluing it onto boards, onto concrete planes, somewhat like Klee, who worked with a weave of gauze, papers, and watercolors<\/em>. Next to these, the most significant works marking the transition to the third dimension of the 1960s: The Wheel<\/em>, The Cube<\/em>, and the first sphere, Sphere No. 1<\/em>; up to some of his more recent works, created between the late 1970s and 2010: the series of Heavenly Stakes<\/em>, Steles<\/em>, and Continuum<\/em>.<\/p>\n

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The exhibition is accompanied by a monographic publication edited by Luca Massimo Barbero<\/strong>, which offers a new interpretation of Pomodoro's work, through an in-depth historical and critical investigation of the 1955-1965 decade, and a rich iconographic apparatus of documents and archival materials, made available by the Arnaldo Pomodoro Foundation.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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