{"id":5634,"date":"2023-10-09T22:33:30","date_gmt":"2023-10-09T20:33:30","guid":{"rendered":"https:\/\/www.fondazionearnaldopomodoro.it\/?p=5634"},"modified":"2023-10-17T17:59:10","modified_gmt":"2023-10-17T15:59:10","slug":"gio-pomodoro-tensione-1959","status":"publish","type":"post","link":"https:\/\/www.fondazionearnaldopomodoro.it\/en\/gio-pomodoro-tensione-1959\/","title":{"rendered":"Pomodoro Gi\u00f2, <em>Tensione<\/em> (1959)"},"content":{"rendered":"<div id=\"fws_69e2bad02c3a0\"  data-column-margin=\"default\" data-midnight=\"dark\"  class=\"wpb_row vc_row-fluid vc_row full-width-content vc_row-o-equal-height vc_row-flex vc_row-o-content-top  right_padding_10pct left_padding_10pct\"  style=\"padding-top: 0px; padding-bottom: 0px; \"><div class=\"row-bg-wrap\" data-bg-animation=\"none\" data-bg-animation-delay=\"\" data-bg-overlay=\"false\"><div class=\"inner-wrap row-bg-layer\" ><div class=\"row-bg viewport-desktop\"  style=\"\"><\/div><\/div><\/div><div class=\"row_col_wrap_12 col span_12 dark left\">\n\t<div  class=\"vc_col-sm-6 wpb_column column_container vc_column_container col has-animation padding-2-percent inherit_tablet inherit_phone\"  data-padding-pos=\"bottom\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"fade-in-from-bottom\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t<div class=\"img-with-aniamtion-wrap  custom-size\" data-max-width=\"100%\" data-max-width-mobile=\"default\" data-shadow=\"none\" data-animation=\"none\" >\r\n      <div class=\"inner\">\r\n        <div class=\"hover-wrap\"> \r\n          <div class=\"hover-wrap-inner\">\r\n            <img loading=\"lazy\" decoding=\"async\" class=\"img-with-animation skip-lazy  nectar-lazy\" data-delay=\"0\" height=\"607\" width=\"1030\" data-animation=\"none\" data-nectar-img-src=\"https:\/\/www.fondazionearnaldopomodoro.it\/wp-content\/uploads\/2023\/10\/Pomodoro-Gio-Tensione-1959-foto-Aurelio-Barbareschi-sistemata-1030x607-1.jpg\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg%20xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg'%20viewBox%3D'0%200%201030%20607'%2F%3E\" alt=\"Gi\u00f2 Pomodoro Tensione\" data-nectar-img-srcset=\"https:\/\/www.fondazionearnaldopomodoro.it\/wp-content\/uploads\/2023\/10\/Pomodoro-Gio-Tensione-1959-foto-Aurelio-Barbareschi-sistemata-1030x607-1.jpg 1030w, https:\/\/www.fondazionearnaldopomodoro.it\/wp-content\/uploads\/2023\/10\/Pomodoro-Gio-Tensione-1959-foto-Aurelio-Barbareschi-sistemata-1030x607-1-768x453.jpg 768w, https:\/\/www.fondazionearnaldopomodoro.it\/wp-content\/uploads\/2023\/10\/Pomodoro-Gio-Tensione-1959-foto-Aurelio-Barbareschi-sistemata-1030x607-1-18x12.jpg 18w\" sizes=\"auto, (max-width: 1030px) 100vw, 1030px\" \/>\r\n          <\/div>\r\n        <\/div>\r\n      <\/div>\r\n    <\/div>\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t<div  class=\"vc_col-sm-6 wpb_column column_container vc_column_container col padding-1-percent inherit_tablet inherit_phone\"  data-padding-pos=\"left\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\r\n<div class=\"wpb_text_column wpb_content_element\" >\r\n\t<div class=\"wpb_wrapper\">\r\n\t\t<h4><strong>Gi\u00f2 Pomodoro<\/strong><em><strong><br \/>\n<\/strong>Tensione<\/em>, 1959<\/h4>\n<p>bronze and black marble, 74 \u00d7 168 \u00d7 39 cm<\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\r\n<div class=\"wpb_text_column wpb_content_element\" >\r\n\t<div class=\"wpb_wrapper\">\r\n\t\t<p>Despite having changed materials, from metals to stone to marble, during the course of his activity, Gi\u00f2 Pomodoro has always been faithful to his own language, to his stylistic code. Sharing with his brother Arnaldo the idea of a sculptural work as the co-presence of tensions, the artist chose the surface as an object of plastic intervention until the end of the 1960s. He intervenes on it to obtain a plastic development through flexions of the material, recesses and protrusions that give thickness to the surface, making it almost an elastic body. Plastic development is, so to speak, reconquered, after the all-round has been denied by flat development, as if originating from the latent force in matter. This dialectic between different properties becomes more marked with the presence of a base on which the sculpture is installed, as in the work in the collection, which further subtracts visual \"weight\" from the mass, already elaborated with folds and recesses that cross it in horizontal direction.<\/p>\n<p class=\"translation-block\">from: <a href=\"https:\/\/shop.fondazionearnaldopomodoro.it\/it\/libri-skira-editore\/22466-fondazione-arnaldo-pomodoro-la-collezione-permanente\" target=\"_self\"><em>Fondazione Arnaldo Pomodoro. La Collezione permanente<\/em><\/a>, exhibition catalogue, edited by G. Verzotti, A. Vettese, Milano, Skira, 2007, p. 178.<\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>","protected":false},"excerpt":{"rendered":"Gi\u00f2 Pomodoro Tensione, 1959 bronzo e marmo nero, 74 \u00d7 168 \u00d7 39 cm Nonostante abbia mutato materiali, dai metalli alla pietra al marmo, nel corso della sua attivit\u00e0, Gi\u00f2...","protected":false},"author":1,"featured_media":5636,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,20],"tags":[],"class_list":{"0":"post-5634","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-altri-artisti","8":"category-le-opere-della-collezione"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Gi\u00f2 Pomodoro Tensione, 1959<\/title>\n<meta name=\"robots\" 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