{"id":5891,"date":"2023-10-17T17:10:58","date_gmt":"2023-10-17T15:10:58","guid":{"rendered":"https:\/\/www.fondazionearnaldopomodoro.it\/?p=5891"},"modified":"2023-10-17T17:10:58","modified_gmt":"2023-10-17T15:10:58","slug":"lombelico-steso-al-sole-1959","status":"publish","type":"post","link":"https:\/\/www.fondazionearnaldopomodoro.it\/en\/lombelico-steso-al-sole-1959\/","title":{"rendered":"Novelli Gastone, <em>L\u2019ombelico steso al sole<\/em> (1959)"},"content":{"rendered":"<div id=\"fws_69de225aa1304\"  data-column-margin=\"default\" data-midnight=\"dark\"  class=\"wpb_row vc_row-fluid vc_row full-width-content vc_row-o-equal-height vc_row-flex vc_row-o-content-top  right_padding_10pct left_padding_10pct\"  style=\"padding-top: 0px; padding-bottom: 0px; \"><div class=\"row-bg-wrap\" data-bg-animation=\"none\" data-bg-animation-delay=\"\" data-bg-overlay=\"false\"><div class=\"inner-wrap row-bg-layer\" ><div class=\"row-bg viewport-desktop\"  style=\"\"><\/div><\/div><\/div><div class=\"row_col_wrap_12 col span_12 dark left\">\n\t<div  class=\"vc_col-sm-6 wpb_column column_container vc_column_container col has-animation padding-2-percent inherit_tablet inherit_phone\"  data-padding-pos=\"bottom\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"fade-in-from-bottom\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t<div class=\"img-with-aniamtion-wrap  custom-size\" data-max-width=\"100%\" data-max-width-mobile=\"default\" data-shadow=\"none\" data-animation=\"none\" >\r\n      <div class=\"inner\">\r\n        <div class=\"hover-wrap\"> \r\n          <div class=\"hover-wrap-inner\">\r\n            <img loading=\"lazy\" decoding=\"async\" class=\"img-with-animation skip-lazy  nectar-lazy\" data-delay=\"0\" height=\"715\" width=\"1030\" data-animation=\"none\" data-nectar-img-src=\"https:\/\/www.fondazionearnaldopomodoro.it\/wp-content\/uploads\/2023\/10\/Lombelico-steso-al-sole-1959-_2-1030x715-1.jpg\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg%20xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg'%20viewBox%3D'0%200%201030%20715'%2F%3E\" alt=\"\" data-nectar-img-srcset=\"https:\/\/www.fondazionearnaldopomodoro.it\/wp-content\/uploads\/2023\/10\/Lombelico-steso-al-sole-1959-_2-1030x715-1.jpg 1030w, https:\/\/www.fondazionearnaldopomodoro.it\/wp-content\/uploads\/2023\/10\/Lombelico-steso-al-sole-1959-_2-1030x715-1-768x533.jpg 768w, https:\/\/www.fondazionearnaldopomodoro.it\/wp-content\/uploads\/2023\/10\/Lombelico-steso-al-sole-1959-_2-1030x715-1-18x12.jpg 18w\" sizes=\"auto, (max-width: 1030px) 100vw, 1030px\" \/>\r\n          <\/div>\r\n        <\/div>\r\n      <\/div>\r\n    <\/div>\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n\n\t<div  class=\"vc_col-sm-6 wpb_column column_container vc_column_container col padding-1-percent inherit_tablet inherit_phone\"  data-padding-pos=\"left\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\" >\n\t\t<div class=\"vc_column-inner\" >\n\t\t\t<div class=\"wpb_wrapper\">\n\t\t\t\t\r\n<div class=\"wpb_text_column wpb_content_element\" >\r\n\t<div class=\"wpb_wrapper\">\r\n\t\t<h4><strong>Gastone Novelli<\/strong><em><strong><br \/>\n<\/strong>L&#8217;ombelico steso al sole<\/em>, 1959<\/h4>\n<p>mixed media on canvas (fabric, plaster and oil on canvas), 75 \u00d7 110 cm<\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\r\n<div class=\"wpb_text_column wpb_content_element\" >\r\n\t<div class=\"wpb_wrapper\">\r\n\t\t<p class=\"translation-block\">In 1960, Achille Perilli and Fabio Mauri questioned their artist friends on the topic <em>Death of painting?<\/em> for the \"Almanacco Letterario Bompiani\". In his response, Gastone Novelli interprets this provocation in terms of a \"death of form and not of painting which in fact I think is taking on the physiognomy of a new, more complex and more human language in these times. It's like when a language changes due to the enrichment of its alphabet. If today it is possible to find a new way of telling a story in certain painting and therefore distinguish it from traditional image painting (Rothko, Burri, T\u00e0pies, etc.) this is certainly a sign of vitality\".<\/p>\n<p class=\"translation-block\">from: <a href=\"https:\/\/shop.fondazionearnaldopomodoro.it\/it\/libri-su-artisti-vari\/22441-1961-tempo-di-continuita\" target=\"_self\"><em>1961. Tempo di Continuit\u00e0<\/em><\/a>, exhibition catalogue, edited by F. Gualdoni, Milano, Fondazione Arnaldo Pomodoro, 2014, pp. 16-17.<\/p>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>","protected":false},"excerpt":{"rendered":"Gastone Novelli L'ombelico steso al sole, 1959 tecnica mista su tela (tessuto, gesso e olio su tela), 75 \u00d7 110 cm Nel 1960 Achille Perilli e Fabio Mauri interpellano i...","protected":false},"author":4,"featured_media":5892,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,20],"tags":[],"class_list":{"0":"post-5891","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-altri-artisti","8":"category-le-opere-della-collezione"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Gastone Novelli L\u2019oriente risplende di rosso, 1967<\/title>\n<meta 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