{"id":9791,"date":"2025-07-14T09:44:16","date_gmt":"2025-07-14T07:44:16","guid":{"rendered":"https:\/\/www.fondazionearnaldopomodoro.it\/?p=9791"},"modified":"2026-04-03T16:13:06","modified_gmt":"2026-04-03T14:13:06","slug":"open-studio-4-arnaldo-pomodoro-luoghi-memorie-e-visioni","status":"publish","type":"post","link":"https:\/\/www.fondazionearnaldopomodoro.it\/en\/open-studio-4-arnaldo-pomodoro-luoghi-memorie-e-visioni\/","title":{"rendered":"Open Studio #4 | Arnaldo Pomodoro. Luoghi, memorie e visioni"},"content":{"rendered":"
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Open Studio #4 | Arnaldo Pomodoro. Luoghi, memorie e visioni<\/strong><\/em><\/h4>\n

curated by Federico Giani
\nOctober 4, 2025 \u2013 May 31, 2026
\nFondazione Arnaldo Pomodoro, Via Vigevano 3, Milano<\/p>\n<\/div>\n<\/section>\n<\/div>\n<\/section>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\r\n

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Fourth edition of *Open Studio*, the exhibition series hosted in Arnaldo Pomodoro\u2019s Studio, through which the Foundation explores and rediscovers works or moments from the artist\u2019s career.\nThis new chapter of *Open Studio* offers a journey built around the three themes of \u201cplace,\u201d \u201cmemory,\u201d and \u201cvision,\u201d key interpretative tools in Pomodoro\u2019s reflection on the nature of sculpture and its relationship with space, developed over five decades of activity, from the 1970s to the 2010s.<\/p>\n

In the early 1970s, following a period of critical and inventive assessment<\/strong> of his first fifteen years of work, Pomodoro began to explore a new dimension of his artistic practice<\/strong>. Sculpture was no longer conceived as a mere \u201cobject in space,\u201d but rather as a \u00abspace defined by a series of sculptures,\u00bb \u00aba space that becomes entirely sculpture,\u00bb a \u00abplace of sculptures\u00bb<\/strong>, where memories of the past<\/strong>\u2014both personal and collective\u2014intertwine and give rise to ever-evolving visions<\/strong>.\nPomodoro did not define this new approach to the sculptural process<\/strong> once and for all: instead, it unfolded in a discontinuous and at times contradictory way, marked by alternating bursts of momentum and pauses, taking on different forms each time, yet consistently resurfacing over the following four decades.<\/p>\n

The first three editions of Open Studio<\/strong><\/em> were dedicated respectively to the artist\u2019s spatialist explorations<\/a> of the late 1950s<\/strong>; to the American years, from 1966 to 1970, during which Pomodoro engaged in experimentation aligned with Minimal Art<\/em><\/strong><\/a>; and to the Sphere<\/em><\/a>, the most iconic form in Arnaldo Pomodoro\u2019s body of work<\/strong>.<\/p>\n<\/div>\n<\/section>\n<\/div>\n<\/section>\n\t<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n\n\t\t\t<\/div> \n\t\t<\/div>\n\t<\/div> \n<\/div><\/div>\r\n\t\t

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